book
A book conservation, the best Christmas gift
Conservation is magical, bringing back to life books that seemed useless. A video of a miniature library, whose books were bound by friends... is magical as well!
No gordian solution for the resilient conservator
To trim or not to trim. Is that the question? A book conservator deals with main ethical considerations. Sometimes because of the customer desire's, and most of the time seeking an equilibrium between preservation and functionality. To top it up, we expect the result to be pleasant as well: not too new, not too worn; most original, but not too weak... Rare is the case when we find a salomonic solution that satisfies all the requirements. I guess a conservator is not the type who cuts the gordian knot, but rather one who tries to unlock it no matter how painful that is!
Christmas angels in serious condition,on their way to full recovery!
Christmas angels currently at ICU in serious condition. Diagnosis: chronical humidity, binding dislocation, a variety of infections and rodent attack. Prognostic is optimistic because a high level team is taking good care of them. Soon they'll be bright and happy as Larry, just like in this year's Christmas greetings. Don't miss the video!
Smart materials for display, storage, housing and wrapping solutions in cultural heritage (APACHE)
The APACHE project aims to develop new technologies for display, storage and wrapping materials of cultural heritage. Answer the survey to contribute to it, and your collection will be represented in this leading research.
Unlocking St. Anthony’s locked manuscript
"Tony, Tony, come around, something’s lost and can’t be found!" Some manuscripts require more than just manual skills to succeed in their conservation, and so we prayed to Saint Anthony to help us unlocking the bookbinding, whose key had been lost forever. Certainly not many renaissance bookbindings have an iron safety lock in their covers and thus this extra holly help was deemed quite necessary. The prayer didn't provide any key, but at least a satisfactory conservation solution was achieved!
Endbands, headbands and ties
The headband to a book is like the tie to a suit: they both give their owner the chance to stand out. It is like the icing on the cake of the binding, and gathers the bookbinder's proficiency and taste. We'll discuss their aspect like in a Vanity Fair, and go beyond: What are they meant for? and why stuck-on headbands are less cared by conservators than sewn ones? Should we replace them or conserve them? The untrained eyes will look at them with more interest now, because -just like ties- there are headbands for all tastes!
Hold on and suck in, Miss Scarlett!
Removing a plastic corset from a manuscript
A personal story, a historic manuscript, a crazy laminating machine and a final outcome. We'll discuss about synthetic polymers, sorts of laminations and encapsulation. All these ingredients are seasoned with PFTE, TFA, HFIP, PE, DMSO, PET... cling, dong and BOOM!... An explosive -but most irresistible- cocktail.
Mysterious iron rods in a 16th limp vellum binding
No one would say that [...]
Conservation of ‘The Disasters of War’, by Goya
There are all sorts of projects, and when Mr. Goya knocks at the door, the red carpet is ready to receive him at the studio: Please, come in! The Disasters of War by Francisco Goya arrived at the studio in a fairly intact condition, with its 80 etchings, corresponding to the very first edition (in later editions two more etchings were added, making a total of 82). This first one was edited in 1863, more than forty years after
The bookbinder’s secret library
Cambras, one of the most popular bookbinders from Barcelona, always welcomes me with a wide smile and a sarcastic look. Smiles turn to laughter when we get down to our issues: -But... you are not pasting the spine of my book with PVA glue, are you?! I ask him while my eye seeks for his secret library...
“Smart books” and bibliographic terrorism
Terrorists do not always carry explosives or mallets, nor they come from overseas, it may even be people in charge of collections. We ought to deal with them to safeguard "smart books": books intelligently made, such that no material interfere with each other, on the contrary, they create formidable synergies. Each one has its peculiarities, its beauty and its function. They represent a compendium of technology, art, society and culture at the time and place in which they were created.
Course on medieval book structures
At last the course! I think by the moment the […]
Bibliopaths: The case of the lacquer binding
Are we supposed to fear bibliopaths? Or maybe we should give them an award? Who are they? Atention! Because they can be among us, or we might even be one of them?! I invite you to read the Case of the Lacquer Binding to know more about them
I have mold! (…or is it foxing?)
Foxing is mould... or not? One of the main concerns in archives and libraries is the presence of mould. Not surprisingly: it develops without fanfare, and when it is detected, an irreversible loss of information might have taken place. Before pulling your hair out, you should identify whether the symptoms actually reveal fungal activity, or not. Not an easy assessment.
Flattening under tension on paper and parchment conservation
Wrinkles and folds are a usual damage in documents made of paper, cloth or parchment. The common way to restablish these supports to its original condition is by pressure: under weights or in a press. When the paper has a relief which must be preserved, it is then not possible to use pressure, as it would smash this relief. Flattening under tension may be an interesting alternative on certain occasions or when a selective flattened is needed. It takes advantage of the natural shrinkage of the paper when going from wet to dry, so that the tension is given by the same paper.
Choirbooks, and much more, at the Spanish National Library
Led by Luis Crespo and Arsenio Sanchez, restorerss in the National Library, we visit the fascinating world of book illuminated miniatures, choir books, manuscripts ... Latest technological resources, ancient tradition, and above all their experience and knowledge, allow the recovery of these bibliographic jewels exhibited now at the National Library of Spain.
Books washing-machine and new conservation methods for leather bindings
From the books washing machine to new methodologies for leather bindings restoration, a visit to Domènec's restoration studio is always a great pleasure!
Minimal intervention on “Serra & Balet” documents
Standard treatment of minimal intervention on documentation with slight damages: Disinfection, removal of clips and staples, consolidation and folder to fit.
Gone with the wind
I don’t like much having war books, but I must admit that this one is particularly beautiful. The velvet binding seemed to me a challenging issue on the restoration, which did not have major complications besides this. I show the restoration of this book because of the headaches it has given me when solving the lost areas, the wooden work. The considerable losses on a laborious woodcarving work, and the lack of originals of many of the missing pieces fairly complicated the subject (the shields on the corners were different).
Categories
ARTIFACT
archive or library
book
binding
limp-vellum binding
book structures
conservation cover
endband
endband
hollow back
locks
tight back
collage
document
drawing
manuscript
photograph
glass plate
silver gelatine
poster
technical drawing
maps
plans
DAMAGES
acidity / oxidation
bibliopath / graphopath
insects
silverfish
microorganisms
mold
book & paper eaters
disaster
flood
foxing
gap
gaps
silver mirroring
structural
dry seal
printed stamp
PRODUCTS
adhesives
natural
starch paste
synthetic
Filmoplast®
Klucel
Paraloid B72
pressure sensitive tapes
gels
agarose
chemical gel
hydro-gels
organo-gels
physical gels
nanoparticles
rubber
rubber (natural)
rubber (synthetic)
solvent
benzyl alcohol
cellulose acetate
ciclometicone
diethyl carbonate
dimethyl sulfoxide (DMSO)
polyethylene glycol (PEG)
surfactants
seal
SUPPORT
glass
leather
metal
paper
coated paper (art paper)
Kraft paper
laid paper
rag paper
tracing paper
impregnated paper
tracing paper
wood pulp paper
parchment
plastic
polyethylene terephthalate (PET)
Polypropylene (PP)
textile
cotton
silk
TECHNIQUE
ballpoint pen
engraving
etching
felt-tip pen
gouache
ink
ink printed stamp
photo-reproduction
diazotype
print
lithograph
THEORY on conservation & restauration
TOOLS, MACHINES
TREATMENTS
bleaching
cleaning
dry cleaning
consolidation
Infilling
paper pulp
lining
lining (with fabric)
tear repair
deacidification
digitization
flattening
flattening under tension
housing
box
four flaps envelopes
ink fixing
inpainting
mimetic in-painting
neutral inpainting
mould treatment
preventive conservation
climate (HR, temp.)
sewing
sizing
stain removal
tape removal
varnish removal
varnishing
Velvesil Plus
velvet
Washi
watercolour
wet cleaning
wood
woodcut
woodworm
wrinkles
xanthan gel