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limp-vellum binding

See below all POSTS in “limp vellum binding” category.
A feature of these parchment bindings is their flexibility, since there is no inner support in the covers than the support itself (a parchment). That’s why they are much lighter than bindings that have a board or wood inside the covers.

(You might want to take a look at the PROJECTS with the same tag as well).

No gordian solution for the resilient conservator

To trim or not to trim. Is that the question? A book conservator deals with main ethical considerations. Sometimes because of the customer desire's, and most of the time seeking an equilibrium between preservation and functionality. To top it up, we expect the result to be pleasant as well: not too new, not too worn; most original, but not too weak... Rare is the case when we find a salomonic solution that satisfies all the requirements. I guess a conservator is not the type who cuts the gordian knot, but rather one who tries to unlock it no matter how painful that is!

Endbands, headbands and ties

The headband to a book is like the tie to a suit: they both give their owner the chance to stand out. It is like the icing on the cake of the binding, and gathers the bookbinder's proficiency and taste. We'll discuss their aspect like in a Vanity Fair, and go beyond: What are they meant for? and why stuck-on headbands are less cared by conservators than sewn ones? Should we replace them or conserve them? The untrained eyes will look at them with more interest now, because -just like ties- there are headbands for all tastes!

“Smart books” and bibliographic terrorism

Terrorists do not always carry explosives or mallets, nor they come from overseas, it may even be people in charge of collections. We ought to deal with them to safeguard "smart books": books intelligently made, such that no material interfere with each other, on the contrary, they create formidable synergies. Each one has its peculiarities, its beauty and its function. They represent a compendium of technology, art, society and culture at the time and place in which they were created.

Flattening under tension on paper and parchment conservation

Wrinkles and folds are a usual damage in documents made of paper, cloth or parchment. The common way to restablish these supports to its original condition is by pressure: under weights or in a press. When the paper has a relief which must be preserved, it is then not possible to use pressure, as it would smash this relief. Flattening under tension may be an interesting alternative on certain occasions or when a selective flattened is needed. It takes advantage of the natural shrinkage of the paper when going from wet to dry, so that the tension is given by the same paper.

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