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Profession: book and paper conservator

What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.

Unlocking St. Anthony’s locked manuscript

"Tony, Tony, come around, something’s lost and can’t be found!" Some manuscripts require more than just manual skills to succeed in their conservation, and so we prayed to Saint Anthony to help us unlocking the bookbinding, whose key had been lost forever. Certainly not many renaissance bookbindings have an iron safety lock in their covers and thus this extra holly help was deemed quite necessary. The prayer didn't provide any key, but at least a satisfactory conservation solution was achieved!

Gels, microemulsions and nano-systems applied to pressure sensitive tape removal: latest updates

Tape removal, chemical and physical gels, microemulsions and much more. Review and abstract of the conference "Nanosystems. Application to tape removal on cellulosic supports,", which took place in Madrid (Spain), on June 6 to 8th, 2018; within the context of NanoRestArt, the european Research and Developement project.

“Customized” conservation with Richard Wolbers

Fellows of joys and sorrows, conservators, here is why I am so excited with the "Cleaning workshop: Paper bathing/stain removal", given by Wolbers: The idea is to make every conservation treatment a kind of custom-made dress for each particular object with a minimal initial investment. He speaks about solvents, gels, surfactants, conductivity and pH. Nor in my wildest dreams had I imagined such a close, easy and useful chemistry. Thanks a lot Richard, we owe it to you.

Flattening under tension on paper and parchment conservation

Wrinkles and folds are a usual damage in documents made of paper, cloth or parchment. The common way to restablish these supports to its original condition is by pressure: under weights or in a press. When the paper has a relief which must be preserved, it is then not possible to use pressure, as it would smash this relief. Flattening under tension may be an interesting alternative on certain occasions or when a selective flattened is needed. It takes advantage of the natural shrinkage of the paper when going from wet to dry, so that the tension is given by the same paper.

New conservation methodolgy to retrieve lost flexibility to brittle tracing papers

Approach to a new methodolgy to retrieve the lost flexibility to brittle papers. Tracing papers -so usual among technical drawings- have in common their transparency, but there are significant differences in the process to make them. The properties and behavior will be very different then. Impregnated papers, for an instance, were applied oils or varnishes to provide them translucency. Explanation restoration of several drawings in which the varnish was removed to replace it later.

Damned “sellotapes”!

Which damages cause sellotapes? Can we release documentary heritage from these fatty strips? Explanation for the degradation mechanisms of this historic "remedial" tapes that we can find in documents of all kinds, and restoration possibilities in each case.

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