Find below the blog posts related to solvent:
Premiere of the video of the conservation treatment of a map
Premiere of the video showing the full conservation treatment of an oversized hand-coloured map, varnished and lined on a canvas. Do not miss it! Next Thursday 27 at 4pm CEST (UTC+2).
Silver Mirroring Removal in Photographs (Video)
At last a deffinitive method, safe and efficient for silver mirroring removal in historical photographs. This new treatment will change the way the issue of silver mirroring removal has been addressed in photographic collections. See it in this video and value the results.
Housing as a (quite desperate) conservation resource
New artwork arrives at the studio to be ready for an exhibition: pressure, limited time, bleeding inks... Could it not be some other easier and more showing off artefacts? Here's what I do when I don't seem to find much to do: Tape removal, and failing to flatten under tension with magnets... Mounting the artwork on a housing that secured an even tension on the artwork during the exhibition, was the last resource.
Silver Mirroring: Its Importance, Formation Process, and a New Elimination Procedure
New Elimination Procedure for Silver Mirroring. Silver mirroring is a type of deterioration that appears in most gelatin developing-out paper (DOP) historical photographs and black-and-white films. Its treatment involves so many problems that it has often been ruled out. In this article we present a new and simple elimination procedure, which is efficient and offers stable results in the long term. The study of the causes of the formation of silver mirroring sheds light on aspects that had been little explained so far: the fact that this type of deterioration always appears on the surface of the image leads us to consider a mechanism of transport of electrical charges.
Gels, microemulsions and nano-systems applied to pressure sensitive tape removal: latest updates
Tape removal, chemical and physical gels, microemulsions and much more. Review and abstract of the conference "Nanosystems. Application to tape removal on cellulosic supports,", which took place in Madrid (Spain), on June 6 to 8th, 2018; within the context of NanoRestArt, the european Research and Developement project.
Hold on and suck in, Miss Scarlett!
Removing a plastic corset from a manuscript
A personal story, a historic manuscript, a crazy laminating machine and a final outcome. We'll discuss about synthetic polymers, sorts of laminations and encapsulation. All these ingredients are seasoned with PFTE, TFA, HFIP, PE, DMSO, PET... cling, dong and BOOM!... An explosive -but most irresistible- cocktail.
“Customized” conservation with Richard Wolbers
Fellows of joys and sorrows, conservators, here is why I am so excited with the "Cleaning workshop: Paper bathing/stain removal", given by Wolbers: The idea is to make every conservation treatment a kind of custom-made dress for each particular object with a minimal initial investment. He speaks about solvents, gels, surfactants, conductivity and pH. Nor in my wildest dreams had I imagined such a close, easy and useful chemistry. Thanks a lot Richard, we owe it to you.
Chemists and conservators: a love/hate relationship
A cathartic experience: There's nothing more exciting for a conservator such as participating in a chemistry course. We go there with a certain respect (or maybe fear) and the will to be acquainted to a new miraculous reactant that will change our life. The poor conservator will poorly be able to discuss one to one with a chemist, either about the reactions that happen during the restoration treatments or along the inherent ageing of the artefact; and yet we must call the chemist into question and keep this dialogue alive. But thanks to Richard Wolbers I made peace with chemistry and their scientists.
This document will self-destruct in 30 secs!
Or how to remove pressure sensitive tapes, without removing them. We have spoken about bibliopaths, about misuses and how to eradicate its effects... But, what happens when the artefact itself causes its own degradation?
New conservation methodolgy to retrieve lost flexibility to brittle tracing papers
Approach to a new methodolgy to retrieve the lost flexibility to brittle papers. Tracing papers -so usual among technical drawings- have in common their transparency, but there are significant differences in the process to make them. The properties and behavior will be very different then. Impregnated papers, for an instance, were applied oils or varnishes to provide them translucency. Explanation restoration of several drawings in which the varnish was removed to replace it later.
Which damages cause sellotapes? Can we release documentary heritage from these fatty strips? Explanation for the degradation mechanisms of this historic "remedial" tapes that we can find in documents of all kinds, and restoration possibilities in each case.
Conservation literature bargain hunting!
My studio has been bargain hunting, and I am delighted with the results! ICCROM offers books at great prices. I got hold for only 17€, of these books:
Nanotechnology & chemical gels applied to paper conservation
What are nanoparticles and chemical gels? Latest technological advances in restoration of archive material is about nanotechnology and chemical gels and so it is studied in the paper & books section of the IPCE.
archive or library
printed stamp (see TECHNIQUE)
plans, maps, architectural or technical drawings
acidity / oxidation
bibliopath - graphopath
pests & paper eaters
pressure sensitive tapes
coated paper (art paper)
onion skin paper
wood pulp paper
polyethylene terephthalate (PET)
dimethyl sulfoxide (DMSO)
polyethylene glycol (PEG)
THEORY on cons. & rest.
flattening under tension
four flaps envelopes
neutral colour in-paint
climate (HR, temp.)
reinforcement - consolidation
backing with fabric