Conservation of a medieval manuscript on laid paper, bound on limp parchment. The binding is recicled, being a former wallet bindinig with a flap. The turnins of the covers have alum tawed leather tackets. Sewn on the binding.
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have?
Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
Not uncommon to find waste material as part of a binding (parchment manuscripts, for instance), but quite much rare when the previous and original binding is part of the boards layers of the current recycled binding!
The outer and visible binding belonged first to a former book, and the hidden binding, to the current, one... crazy!
Some projects are extremely complex regarding the ethical professional decision making, and this is certainly one of the toughests!
Rather than trimming the original beautiful bindings with marbled edges, some facsimile dust-jackets were made to protect the books, that were also restored preserving all their features.
Practice and theory session in which we'll see different materials related to housing and framing for the exhibition of photographs: adhesives, boards, cardboards, folders, plastics, glasses, sealing foils, passe-partouts...
We'll speak about reversibility, "acid-free" and "archival" products and much more!
Conservation of pencil architectural drawing on impregnated tracing paper, with a ball-point pen inscription, pressure-sensitive tapes and stuck onto a board. Drawing by catalan architect Lluís Domènech i Montaner.