Conservation of documents and paper artwork
Related graphic supports are diverse: paper (tracing paper or any other kind), cloth, board or leather and parchment.
There is also a wide range of techniques: handwritten manuscripts, typewritten, prints, etchings, lithogrpahs, watercolour, gouache, charcoal, graphite, pencil, waxes or mixed media.
Standard conservation treatments are:
- Mould treatment (stopping biological decay, if any)
- Cleaning and stain removal (tapes removal, surface cleaning, wet cleaning, tide-line removal and etcetera).
- Tear mending, lining, backing and other reinforcement treatments of damaged supports.
- Flattening (wrinkles, tensions, folds).
- Bleaching by reduction and light bleaching.
- Infilling and retouch (criteria depending on each case).
- Mounting and housing. Special wrappers, folders or boxes.
Each treatment is adapted to the special needs of the object. Is it varnished? Is it backed on linen? Is it part of a mteal device or else? We’ll find the best solution for ypour request.
Some of therealized projects (see published projects on documents conservation and conservation of artworks on paper):
- Conservation of prints, engravings and etchings. Original artworks by Goya, Picasso, Dalí, Piranesi, Dürer, Miró, Chillida, Saura, Tàpies o Clavé.
- Drawings conservation. Original manuscripts by Dalí, Ramon Casas, Antonio Canova, Gaudí, Marià Fortuny, Valerio Adami, Joan Ponç, Steinberg, Mingote, Cobean, Opisso, Cesc, Mariscal, Lluís Domènech i Montaner, Baldomer Galofre, Elies Rogent, Lola Anglada, R. Estrany, D. Vilàs, entre d’altres.
- Conservation of non artistic documents, handwritten or either printed: parchment manuscripts, architectural drawings, plans and maps, stationery or any other documents.
Conservation of documents and paper artwork
Related graphic supports are diverse: paper (tracing paper or any other kind), cloth, board or leather and parchment.
There is also a wide range of techniques: handwritten manuscripts, typewritten, prints, etchings, lithogrpahs, watercolour, gouache, charcoal, graphite, pencil, waxes or mixed media.
Standard conservation treatments are:
- Mould treatment (stopping biological decay, if any)
- Cleaning and stain removal (tapes removal, surface cleaning, wet cleaning, tide-line removal and etcetera).
- Tear mending, lining, backing and other reinforcement treatments of damaged supports.
- Flattening (wrinkles, tensions, folds).
- Bleaching by reduction and light bleaching.
- Infilling and retouch (criteria depending on each case).
- Mounting and housing. Special wrappers, folders or boxes.
Each treatment is adapted to the special needs of the object. Is it varnished? Is it backed on linen? Is it part of a mteal device or else? We’ll find the best solution for ypour request.
Some of therealized projects (see published projects on documents conservation and conservation of artworks on paper):
- Conservation of prints, engravings and etchings. Original artworks by Goya, Picasso, Dalí, Piranesi, Dürer, Miró, Chillida, Saura, Tàpies o Clavé.
- Drawings conservation. Original manuscripts by Dalí, Ramon Casas, Antonio Canova, Gaudí, Marià Fortuny, Valerio Adami, Joan Ponç, Steinberg, Mingote, Cobean, Opisso, Cesc, Mariscal, Lluís Domènech i Montaner, Baldomer Galofre, Elies Rogent, Lola Anglada, R. Estrany, D. Vilàs, entre d’altres.
- Conservation of non artistic documents, handwritten or either printed: parchment manuscripts, architectural drawings, plans and maps, stationery or any other documents.
Conservation of documents and paper artwork
Related graphic supports are diverse: paper (tracing paper or any other kind), cloth, board or leather and parchment.
There is also a wide range of techniques: handwritten manuscripts, typewritten, prints, etchings, lithogrpahs, watercolour, gouache, charcoal, graphite, pencil, waxes or mixed media.
Standard conservation treatments are:
- Mould treatment (stopping biological decay, if any)
- Cleaning and stain removal (tapes removal, surface cleaning, wet cleaning, tide-line removal and etcetera).
- Tear mending, lining, backing and other reinforcement treatments of damaged supports.
- Flattening (wrinkles, tensions, folds).
- Bleaching by reduction and light bleaching.
- Infilling and retouch (criteria depending on each case).
- Mounting and housing. Special wrappers, folders or boxes.
Each treatment is adapted to the special needs of the object. Is it varnished? Is it backed on linen? Is it part of a mteal device or else? We’ll find the best solution for ypour request.
Some of therealized projects (see published projects on documents conservation and conservation of artworks on paper):
- Conservation of prints, engravings and etchings. Original artworks by Goya, Picasso, Dalí, Piranesi, Dürer, Miró, Chillida, Saura, Tàpies o Clavé.
- Drawings conservation. Original manuscripts by Dalí, Ramon Casas, Antonio Canova, Gaudí, Marià Fortuny, Valerio Adami, Joan Ponç, Steinberg, Mingote, Cobean, Opisso, Cesc, Mariscal, Lluís Domènech i Montaner, Baldomer Galofre, Elies Rogent, Lola Anglada, R. Estrany, D. Vilàs, entre d’altres.
- Conservation of non artistic documents, handwritten or either printed: parchment manuscripts, architectural drawings, plans and maps, stationery or any other documents.
