onLine
Find below the portfolio projects related to onLine:
Lecture: Sewing, adhesion and grain direction in book conservation
Event: AIC 50th Annual Meeting, [...]
Lecture: ‘Conservation of recycled bindings and fragmentology’ (Parts 1 & 2), SICP Chile
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings are studied.
Workshop: Wet treatments
of Works on Paper (Köln, 2021)
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings...
Lecture: ‘Conservation of reused bindings’ (Part two), Dubrovnik
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings are studied.
Assessment on the conservation of Swamiji’s manuscripts
Assessment on preventive conservation, housing, storage, digitization, exhibition and possibilities of conservation of Swamiji's manuscripts from Vedanta Academy historical archive.
Lecture: ‘Conservation of re-used bindings’ (Part one) Zagreb
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings with rolled sewing on parchment are studied.
Video about the profession of book and paper conservator
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
Lecture: ‘Sew it, rather than paste it!’
(ERC Conference, Krems)
Event: Conference Book Conservation: One [...]
Lecture: ‘Reversibility
in book and paper conservation’ (INTACH, Dehli)
Event: INTACH lectures (#52). Organization: [...]
Lecture: ‘Impregnated Tracing Paper Conservation’ (ICON Book & Paper)
Organization: Icon Book and Paper [...]
Stop-motion video of a paper conservation treatment
A lockdown is kind of stoping any activity, and that is what I have done, a stop-motion video, showing the full conservation treatment of a paper document.
Lecture: “Conservation of Impregnated Tracing Paper” (Papers at the balcony, Granada)
Beneficiary: University of Granada, La [...]
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ARTEFACT
artwork on paper
drawings
maps, plans (architectural drawings)
posters
board or paper artefacts
books
albums
bindings conservation
codexs
fragmentology (membra disjecta)
recycled binding
incunabula
limp parchment binding
paperback books
sewn unsupported with drawn-on covers
stationery bindings
documents
holdings (archive/library)
oversized
photographs
albumens
daguerreotypes
silver-gelatin
glass-plates
silver-gelatine paper photographs
MATERIALS
TECHNIQUE
ball-point pen
cyclostiled
felt-tip pen
gouache
graphite, pencil
manuscripts
prints
engraving
lithograph
watercolor
TRAINING/RESEARCH
courses
book conservation
housing, mounting and framing paper artworks
introduction to paper conservation
Matching infills & retouching
photograph conservation
tailored conservation course
wet treatments
exhibitions
lectures
teaching materials
translation
TREATMENT