inpaint / retouch
Find below the portfolio projects related to inpaint / retouch:
Mrs. Daydí Pastel portrait by Fèlix Mestres
Conservation of pastel drawing on paper and cardboard by Spanish painter Felix Mestres. Portrait of Mrs. Carolina Daydí. Dry cleaning, mould removal with HEPA vacuuming, in-painting of foxing stains.
Workshop: Match your Infill (The Hague, 2024)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Course: Match your infill (London, 2024)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Course: Match your infill (Tartu, 2024)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Course: Match your infill (Mohammed Bin Rashid Al Maktoum Foundation, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your infill (Prague, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your Infill (Art Institute of Chicago, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your infill (València, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your infill (Leiden, 2023)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Oslo, 2022)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Conservation of varnished map
Conservation of an oversized map, varnished and with a linen backing, dated 1906. Varnish removal with gels, backing removal, capillary washing, tear mending, infilling, lining, flattening, retouch, varnishing and finishing (tapes and slats on edges).
Conservation of oversized Adami drawings from Musée Jean Cocteau
Conservation of oversized casein drawings by Valerio Adami with stains caused by a flood. Slanted capillary washing, flattening, mending and conservation mounting.
Conservation of gouache and watercolour drawing on paper
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure. Dry cleaning, wash cleaning, deacidification, light bleaching, inpainting of light areas and flattening.
Conservation of cartoon drawing of a packed tram
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure. Dry cleaning, wash cleaning, deacidification, light bleaching and flattening.
Video about the profession of book and paper conservator
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. The video shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
Conservation of racing cars poster
A lithograph by Spanish painter Cidón, dated 1922
Conservation of a ithographic print from 1922, a poster of the 2nd edition of the car race "Armangué Trophy", organized by the Royal Motorcycle Club of Catalonia.
Course: Inpainting and Loss Compensation on Paper Conservation (Yverdon-les-Bains, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Conservation of preliminary drawing for a tapestry: an oversized gouache on paper
Conservation of preliminary drawing for a carpet, an oversized gouache on paper. Dry cleaning, backing with japanese tissue (washi). Flattening, loss compensation (in-painting).
Course: Inpainting and Loss Compensation on Paper Conservation (Leiden, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
