MATERIALS
Find below the portfolio projects related to MATERIALS:
Conservation of plan on natural tracing paper
We are quite proud of this treatment since tracing paper is most rebel: folds and tears are most visible because of their lack of translucency. We've taken the before and after images on a black background so that you can judge the results.
Conservation of Game-Boy box
Original box for Game-Boy by Nintendo with wrinkles, tears, and pressure-sensitive label. Minimize as much as possible the damages and remove the price label.
Conservation of varnished map
Conservation of an oversized map, varnished and with a linen backing, dated 1906. Varnish removal with gels, backing removal, capillary washing, tear mending, infilling, lining, flattening, retouch, varnishing and finishing (tapes and slats on edges).
Conservation of rennaisance astronomy book. A stiff board parchment binding with slotted spine
Conservation of rennaisance astronomy book. Conservation otiff board reverse parchment binding with slotted spine. Clavius was a reputated astronomer, contemporary to Galileo Galilei.
Conservation of cartoon drawing by Quino
Conservation and flattening of a cartoon drawing by Quino using the same paper for the infill of the loss.
Case for artist book
Owner: Private collection Artefact: [...]
Workshop: Wet treatments of
Works on Paper (Amsterdam, 2021)
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings...
Conservation of oversized Adami drawings from Musée Jean Cocteau
Owner: Jean Cocteau Museum [...]
Conservation of Salvador Dalí’s “Peerless” suitcase
Suitcase owned by Salvador Dalí, brand "Peerless", made of wood, leather, fabric and metal. There's a boarding label dated 1948. Dry cleaning, stain, rust and fat removal.
Conservation of gouache and watercolour drawing on paper
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure. Dry cleaning, wash cleaning, deacidification, light bleaching, inpainting of light areas and flattening.
Workshop: Wet treatments
of Works on Paper (Köln, 2021)
Theoretical and practical sessions. When to apply wet treatments on paper, and how. From the basis of handling wet paper to more complex moisturizing, humidification and washing techniques. Fugitivity tests, types of inks and their properties, and many case studies to show conservation treatments on real artwork: manuscripts and documents, drawings, watercolours, pastels, charcoal drawings...
Lecture: ‘Conservation of reused bindings’ (Part two), Dubrovnik
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings are studied.
Conservation of cartoon drawing of a packed tram
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure. Dry cleaning, wash cleaning, deacidification, light bleaching and flattening.
Workshop: Preservation, housing, mounting and framing artwork on paper (Tortosa, 2021)
Which is the best way to preserve paper artefacts? How are they mounted and framed for exhibition? Technical session explaining products, materials & techniques.
Assessment on the conservation of Swamiji’s manuscripts
Assessment on preventive conservation, housing, storage, digitization, exhibition and possibilities of conservation of Swamiji's manuscripts from Vedanta Academy historical archive.
Lecture: ‘Conservation of re-used bindings’ (Part one) Zagreb
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings with rolled sewing on parchment are studied.
Conservation of long-stitched limp binding with rolled sewing
That's the typical case of the covers of a binding (or what'sleft of it) being a former parchment manuscript, a waste material that was recycled for a new purpose (a binding). A long-stitched limp parchment binding with rolled sewing
Conservation of recycled limp vellum wallet binding
Conservation of a manuscript with a palimpsest limp vellum binding with flap. The flap and other missing parts are reconstructed after conservation.
Conservation of a manuscript with one binding inside the other
Not uncommon to find waste material as part of a binding (parchment manuscripts, for instance), but quite much rare when the previous and original binding is part of the boards layers of the current recycled binding! The outer and visible binding belonged first to a former book, and the hidden binding, to the current, one... crazy!
Conservation of racing cars poster
A lithograph by Spanish painter Cidón, dated 1922
Conservation of a ithographic print from 1922, a poster of the 2nd edition of the car race "Armangué Trophy", organized by the Royal Motorcycle Club of Catalonia.
