Curs: Reintegració i retoc en restauració de paper (Paris, 2018)

Inpainting & Loss COmpensation on Paper

Institut National du Patrimoine, Abril 2018, Paris (França). Curs “Inpainting & Loss Compensation on Paper Conservation” (Restauration d’arts graphiques: Comblement des lacunes et retocuhes).
D’esquerra a dreta (dalt): Valérie Tixier (independent paper conservator); Camille Lallemand (paper conservator at Palais Galliera); Marjorie Williams (paper conservator); Roxane Moine (paper conservator at the Bibliothèque National de France); Amparo Escolano (Paper & Paintings conservator at SFLAC); Silvia Brunetti (Independent paper conservator); Claudine Bértrand (bookbinder); Michelle Navarre (paper conservator at Musée Carnavalet); Corinne Cheng (paper conservator at the Centre des Archives du Ministère des Affaires Étrangères) i Lucile Dessennes (conservator at the Bibliothèque National de France). A baix: Elisa Le Bellec (conservator at the Archive Départamental du Finisterre); Cécile Huguet (paper conservator); Electre Totolidis (Bibliothèque Royale de Bélgique); Rita Udina (Paper & Books conservator) i Nathalie Le Dantec (conservator and adjointe au dirécteur des études du Département des restaurateurs à l’INP).

Preparing cellulose layers for infilling purposes Bookbinding leather samples, casted on a silicone moldMaterials and tools: Escoda brushesToning powdered cellulose (paper conservation)Infilling on paper practiceRinsing powdered cellulose (paper conservation).Infilling on paper, practice sessionPaper pulp colour matchingPractice sessionsMold casting for (bookbinding) leather imitationPaper pulp: making samples to test colour matchingCreating micro powdered cellulose layers to inpaint on paperToning powdered micro cellulose for paper conservation

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