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pressure sensitive tapes

All sorts of pressure sensitive tapes are present in documents and artwork (masking tape, duct tape, electric tape, Filmoplast, rubber based tapes, gummed kraft paper tape, sellotape, MagicTape, BlueTack, regular tapes…).
Find below all the posts under the category “Pressure sensitive tapes” (and you might want to check as well the ones in the Tape removal category):

Find below the blog posts related to pressure sensitive tapes:

Housing as a (quite desperate) conservation resource

New artwork arrives at the studio to be ready for an exhibition: pressure, limited time, bleeding inks... Could it not be some other easier and more showing off artefacts? Here's what I do when I don't seem to find much to do: Tape removal, and failing to flatten under tension with magnets... Mounting the artwork on a housing that secured an even tension on the artwork during the exhibition, was the last resource.

Gels, microemulsions and nano-systems applied to pressure sensitive tape removal: latest updates

Tape removal, chemical and physical gels, microemulsions and much more. Review and abstract of the conference "Nanosystems. Application to tape removal on cellulosic supports,", which took place in Madrid (Spain), on June 6 to 8th, 2018; within the context of NanoRestArt, the european Research and Developement project.

Endbands, headbands and ties

The headband to a book is like the tie to a suit: they both give their owner the chance to stand out. It is like the icing on the cake of the binding, and gathers the bookbinder's proficiency and taste. We'll discuss their aspect like in a Vanity Fair, and go beyond: What are they meant for? and why stuck-on headbands are less cared by conservators than sewn ones? Should we replace them or conserve them? The untrained eyes will look at them with more interest now, because -just like ties- there are headbands for all tastes!

The diplomatic neutral colour

What is a neutral colour? Is it a pH=7 colour? A transparent colour? Greenish... brown? An oil colour... or maybe acrylic? Conservators mean by it: "I will paint the missing area with a single colour which you won't see much". It can be green, purple, pencil coloured or either with acrylic paints... Controversial is on the cards and whatever we do, even when not doing anything at all, conservators know that our decision will not suit everyone's taste.

“Customized” conservation with Richard Wolbers

Fellows of joys and sorrows, conservators, here is why I am so excited with the "Cleaning workshop: Paper bathing/stain removal", given by Wolbers: The idea is to make every conservation treatment a kind of custom-made dress for each particular object with a minimal initial investment. He speaks about solvents, gels, surfactants, conductivity and pH. Nor in my wildest dreams had I imagined such a close, easy and useful chemistry. Thanks a lot Richard, we owe it to you.

Damned “sellotapes”!

Which damages cause sellotapes? Can we release documentary heritage from these fatty strips? Explanation for the degradation mechanisms of this historic "remedial" tapes that we can find in documents of all kinds, and restoration possibilities in each case.

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