2017
Find below the portfolio projects related to 2017:
Conservation, facsimile binding and dust jackets for Encyclopaedia
Some projects are extremely complex regarding the ethical professional decision making, and this is certainly one of the toughests! Rather than trimming the original beautiful bindings with marbled edges, some facsimile dust-jackets were made to protect the books, that were also restored preserving all their features.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Conservation of gouache on paper, painting by Joan Ponç
"Gran Pastoral", gouache on paper, 83 x 112 cm. The artwork was lined on a Kraft paper with tapes and synthetic adhesives. It had losses and tears, and remarkable discolouration. The paper was extremely brittle. Tape and synthetic adhesives removal. Capillary wash and light bleaching, infilling of losses, lining, inpainting (mimetic criteria in the small ones, neutral color in the bigger ones).
Course: Inpainting and Loss Compensation on Paper Conservation (Amsterdam, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
RECH 4 – Retouch in Cultural Heritage
Event: RECH 4 - REtouch in [...]
Conservation of limp laced-case vellum binding with boards
Owner: Private collection. Artefact: [...]
Conservation of romantic album
Owner: Museum of History of [...]
