Government of Catalonia
“Generalitat de Catalunya”, is the Catalan Government of Catalonia, in Spain.
Find below the portfolio projects related to Government of Catalonia:
Lecture: Sewing, adhesion and grain direction in book conservation
Event: AIC 50th Annual Meeting, [...]
Lecture: ‘Conservation of recycled bindings and fragmentology’ (Parts 1 & 2), SICP Chile
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings are studied.
Lecture: ‘Conservation of reused bindings’ (Part two), Dubrovnik
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings are studied.
Lecture: ‘Conservation of re-used bindings’ (part one), Zagreb
Book conservation involves a tough decision making regarding usability and long term preservation handling. Sometimes we are dealing with fragmentology, or disjecta membra (fragments of written supports are re-used as part of a binding, with a diverse purpose from the first use) whereas in other cases the purpose is the same, and the whole binding is being recycled to bind a different book. Incunabula and manuscripts with laced-case and limp vellum bindings with rolled sewing on parchment are studied.
Conservation of long-stitched limp binding with rolled sewing
That's the typical case of waste material (a former parchment manuscript) that was recycled for a new purpose (a binding).
Conservation of recycled limp vellum wallet binding
Conservation of a medieval manuscript on laid paper, bound on limp parchment. The binding is recicled, being a former wallet bindinig with a flap. The turnins of the covers have alum tawed leather tackets. Sewn on the binding.
Conservation of a manuscript with one binding inside the other
It is not uncommon to find waste material as part of a binding (parchment manuscripts, for instance), but quite much rare when the previous and original binding is part of the boards layers of the current recycled binding! The outer and visible binding belonged first to a former book, and the hidden binding, to the current, one... crazy!
Lecture: ‘Sew it, rather than paste it!’
(ERC Conference, Krems)
Event: Conference Book Conservation: One [...]
Conservation of medieval manuscripts on rag paper with rolled sewing
Conservation of two medieval manuscripts on rag paper and limp vellum binding. The sewing thread is made of rolled parchment, sewn with independent knots onto inner parchment stays. One of them onto outer leather tackets as well.
Conservation of stationery limp vellum bindings with flap
Owner: Regional Archive of Baix [...]
Lecture: “A possible solution for paperback bindings” (ICPWH, Sarajevo)
Event: First International Conference on [...]
Conservation of incunabula with fragmentology evidence
Conservation of incunabula books from Public Library Carles Rahola. Some have disjecta membra and a few cases of palimpsest bindings as well.
Conservation of parchment mansucript with woven repairs
[translation pending] Beneficiari: Arxiu [...]
Paperback books conservation. Scouting library
Owner: Youth Documentary Center - Direcció [...]
Parchment mansucripts conservation from Mas Oliveres holding
[translation pending] Beneficiari: Arxiu Comarcal del [...]
Conservation of stationery parchment binding with severe mould losses
The book from the notary of Esparraguera (1827) was severely damaged by mould. To the extent to suffer remarkable losses on both folios and covers. The remaining folios were so weak that discouraged even a most careful handling.
Conservation of poster with loss in the image
Poster of the film "No man of her own" by Spanish painter J. Peris Aragó. Big losses right in the face of the protagonist have been in-painted with deceptive criteria: reproducing a digital version of another poster that was complete.
Conservation of carte de visite, albumen photographs on board
Conservation of carte de visite, albumen photographs on board with foxing stains
