Course: Match your infill (Prague, 2023)
- Course title: Match your infill.
- Project: Course with practical and theoretical sessions (18 hours).
- Teacher: Rita Udina.
- Organization: Ondřej Zatloukal, Barbora Kopsová.
- Venue: Professional Graphic High School
(Vyšší odborná škola grafická a Střední průmyslová škola grafická).
Hellichova 22, Prague (Czech Republic). - Language: English.
- Dates: August, 8-10th, 2023.
- Audience: Book, photograph and paper conservators in practice.
- Review (by Ondřej Zatloukal):
“During the last three days in Prague there was a workshop Match your infill, which I had the honor to co-organize. We were joined by Rita Udina, an excellent Catalan restorer and lovely person, who gave us all her experience about powdered cellulose, mould casting, dyes and colorants, papers pulp etc.
The great thing about the course was that the techniques and procedures presented are really practical and find a place in the studios of all participants.
So if you ever have the opportunity to attend the course, don’t hesitate, it’s a great opportunity!
Thank you Rita!!!! :)”
From left to right, (top row):
Karel Křenek (private conservator), Iva Bělíčková (private conservator), Tereza Kašťáková (National Technical Museum), Barbora Bartyzalová (National Gallery Prague), Katerina Opatová (private conservator), Rita Udina (private conservator), Maria Borysenko (Museum of Eastern Bohemia), Theodora Popova (Academy of Fine Art, NG).
Middle row: Marie Benešová (Moravian land Archive), Ondřej Zatloukal (private conservator), Jarmila Franková (private conservator).
Bottom row: Jan Slivka (ZRestaurovat), Jana Dřevíkovská (National Gallery Prague).
Photo: Milana Vanišová.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
-
- Theory and case studies:
- Filling losses and fillers: powdered cellulose, paper pulp, Japanese paper.
- Modifying the appearance and texture of Japanese paper, silicone mould casting to replicate textures.
- Inpainting media and toning systems: synthetic resins, watercolour/gouache, pencils/pastels, dry pigments, dyes, colorants and other colouring agents.
- Light and colour phenomena, metamerism (optional).
- Modifiers: glossing, matting, polishing agents (optional).
- Theory and case studies:
-
- Techniques and criteria for in-painting:
- Chromatic Selection and Chromatic abstraction.
- Rigatino, tratteggio: Fiorentino vs. Romano.
- Underleveled.
- Neutral colour field.
- Mimetic.
- Digital technology.
- Ethical considerations.
- Techniques and criteria for in-painting:
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Course: Match your infill (Prague, 2023)
- Course title: Match your infill.
- Project: Course with practical and theoretical sessions (18 hours).
- Teacher: Rita Udina.
- Organization: Ondřej Zatloukal, Barbora Kopsová.
- Venue: Professional Graphic High School
(Vyšší odborná škola grafická a Střední průmyslová škola grafická).
Hellichova 22, Prague (Czech Republic). - Language: English.
- Dates: August, 8-10th, 2023.
- Audience: Book, photograph and paper conservators in practice.
- Review (by Ondřej Zatloukal):
“During the last three days in Prague there was a workshop Match your infill, which I had the honor to co-organize. We were joined by Rita Udina, an excellent Catalan restorer and lovely person, who gave us all her experience about powdered cellulose, mould casting, dyes and colorants, papers pulp etc.
The great thing about the course was that the techniques and procedures presented are really practical and find a place in the studios of all participants.
So if you ever have the opportunity to attend the course, don’t hesitate, it’s a great opportunity!
Thank you Rita!!!! :)”
From left to right, (top row):
Karel Křenek (private conservator), Iva Bělíčková (private conservator), Tereza Kašťáková (National Technical Museum), Barbora Bartyzalová (National Gallery Prague), Katerina Opatová (private conservator), Rita Udina (private conservator), Maria Borysenko (Museum of Eastern Bohemia), Theodora Popova (Academy of Fine Art, NG).
Middle row: Marie Benešová (Moravian land Archive), Ondřej Zatloukal (private conservator), Jarmila Franková (private conservator).
Bottom row: Jan Slivka (ZRestaurovat), Jana Dřevíkovská (National Gallery Prague).
Photo: Milana Vanišová.
- Contents (theory and practice):
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
-
- Theory and case studies:
- Filling losses and fillers: powdered cellulose, paper pulp, Japanese paper.
- Modifying the appearance and texture of Japanese paper, silicone mould casting to replicate textures.
- Inpainting media and toning systems: synthetic resins, watercolour/gouache, pencils/pastels, dry pigments, dyes, colorants and other colouring agents.
- Light and colour phenomena, metamerism (optional).
- Modifiers: glossing, matting, polishing agents (optional).
- Theory and case studies:
-
- Techniques and criteria for in-painting:
- Chromatic Selection and Chromatic abstraction.
- Rigatino, tratteggio: Fiorentino vs. Romano.
- Underleveled.
- Neutral colour field.
- Mimetic.
- Digital technology.
- Ethical considerations.
- Techniques and criteria for in-painting: